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Essays
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Reference
Accessibility Statement
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Home
About
Intros
Essays
Interviews
Events
Reference
Accessibility Statement
Theme
Title
Self
Interrogating Appearances – The Drawn Self
by Anita Taylor
Power
Models and Muses
by Colin Wiggins
Visibility
‘“The cleavage raises questions”: queer indeterminacies of gender in an alleged photographic portrait of the painter Francis Bacon’,
by Dominic Janes, with Paul Rousseau
Self
Now You See Me: Self-representation in the work of Charlotte Hodes
by Hannah Westley
Ownership
Portraiture and ownership…
by Ian King
Self
Face Value: Portraiture and the Site of the Self
by Isabel Seligman
Formality/informality
Informal Portraiture – An Oxymoron?
by Jennifer Scott
Exposure
Facing legacies: what traces might an artworks representation expose?
by Jo Melvin
Collecting
Collected and Possessed
by Mark Fairnington
Exposure
The Naked Portrait
by Rab MacGibbon
Formality/informality
Creating New Public Portraits
by Sandy Nairne
Trace
The Inframince
by Sarah Jaffray
Ownership
Whose Face Is It?
by Stephen Farthing
Ownership
Louisa Love has my hard drive
by Trish Scott